FRAGILE
An experimental approach to an exhibition

In this show, without a doubt, art is being showcased. But not in the conventional way. In “FRAGILE” the presentation merges into the practice of art installation. The exhibited works are transformed into something like minimalist objects. This intervention could well conceal a witty commentary on the role of the curator as crown prince of the art market’s operating system. Certainly, in any case, with the result that all artworks, under their new off-the-peg clothes, can no longer be so easily recognized and identified. And this results, in turn, in the artefacts suddenly presenting themselves to the viewer as extremely profane objects of speculation, which call out for investment. For here art, so disdainful, can be bought, and under conditions that would be seen, according to the rules normally controlling the art market, as clearly fragile, indeed dubious. The potential buyer will need to ponder such questions as, “How does art actually come to be priced? And how at just this price? Who decides what it will be?”

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FRAGILE
An experimental approach to an exhibition

In this show, without a doubt, art is being showcased. But not in the conventional way. In “FRAGILE” the presentation merges into the practice of art installation. The exhibited works are transformed into something like minimalist objects. This intervention could well conceal a witty commentary on the role of the curator as crown prince of the art market’s operating system. Certainly, in any case, with the result that all artworks, under their new off-the-peg clothes, can no longer be so easily recognized and identified. And this results, in turn, in the artefacts suddenly presenting themselves to the viewer as extremely profane objects of speculation, which call out for investment. For here art, so disdainful, can be bought, and under conditions that would be seen, according to the rules normally controlling the art market, as clearly fragile, indeed dubious. The potential buyer will need to ponder such questions as, “How does art actually come to be priced? And how at just this price? Who decides what it will be?”

read more